Antigone a Study of Moral Influences in Society. - 899 Words

Throughout time, man has feared the rise of womens power, and has taken great measures to avoid it. Whether it be not allowing them to vote, suppressing their calls for jobs, or even devaluing the significance of women in many religious groups. In literature we witness the same fear, reading between the lines at how the author created a character and the reaction of the public to her. The woman, in Sophocles Antigone, is considered powerful but noble, and is met with fierce opposition from men in power, and even fellow women who feel she has fallen from her rightful place. It is difficult, however, to determine who is right and who is wrong, when it is all said and done. Antigone, the seemingly victimized woman, has the power to stand†¦show more content†¦Creons wish becomes more than a punishment for disobeying the law, but is issued quickly and almost eagerly because she is a woman. Creon has no respect for her, calling Antigone his sons evil wife (571). At this point, Sophocles is sure to make Creons actions seem harsh, although it is clear that other than the chorus, no one in the city dares doubt them. However it is Antigones final decisions and death that bring about a resolution. The playwright argues that women of Greece were not nearly as incapable and weak as the culture believed them to be. Antigone stands for the highest ideals of the time; courage and respect for the gods and in her dissent, causes Creon to witness the consequences of his decree, thus solving the whole problem. In a response to Creons belief that the ‘good of man should come before the rules of the gods, Antigone says, It was not Zeus who published this decree, nor have the powers who rule among the dead imposed such laws as this upon mankind; nor could I think that a decree of yours- a man-could override the laws of Heaven, unwritten and unchanged(Sophocles 450-455). Right or wrong, and both pretty and dead at the end, she nevertheless provides a clear example of what women can do when they are trusted with power, rather than kept atShow MoreRelatedContrast Between Ancient Greek Theatre â€Å"Antigone† and Modern Russian Theatre in â€Å"the Cherry Orchard†.1695 Words   |  7 PagesContrast between Ancient Greek Theatre â€Å"Antigone† and Modern Russian Theatre in â€Å"The Cherry Orchard†. Theatre which is a main source of entertainment has made various stories in her womb regarding theatres in all over the world like African, Yoruba theatre, Asian Theatre, Middle-East Theatre and Western Theatre like Greek Theatres and Modern Russian Theatre. First of all, Greek theatre seems to have its roots in religious celebration that incorporated song and dance. Like this Greek theater shadowedRead MoreAntigone And Ismene Essay1635 Words   |  7 PagesDiscuss the differences between Antigone and Ismene in their views of women in society. How does each sister’s view shape the choices she makes in the play? How consistent is each, in her view? The play Antigone, written by Sophocles is the last book of his trilogy called The Oedipus Play of Sophocle. Antigone take places in the city of Thebes, the play open â€Å"some days later† there have been an edict by King Creon regarding the burials of Eteocles and Polyneices; Eteocles, will get a proper burialRead MoreContributions of Greek Civilization to Western Civilization825 Words   |  4 Pagesthese problems called Socratic Method; today this method is commonly known as the Scientific Method and is used widely in the area of science. Pluto, a student of Socrates, believed that society is like one big family and that if one person in a society was in need of help, in some sort of way, the whole society should be there to help that person. Pluto also had many democratic ideas which he expressed through the book, The Republic. Lastly, Aristotle, who lived in Greece from around 384 to 322Read MoreWilliam Shakespeare s Antigone - Hubris And Drama Essay2078 Words   |  9 PagesOlivia Seeney ENGL 330 Studies in World Literature 11/21/16 Hubris and Drama in Antigone Hubris may be categorized as two things. As a part of the Greek theater hubris qualifies as being â€Å"the intentional use of violence to humiliate or degrade (Luebering).† However, a more modern qualification defines hubris as â€Å"exaggerated pride or self-confidence (Hubris).† Throughout Antigone both of these different characterizations of the word hubris can be found in specific events and characters. Being a GreekRead MoreWhen It Comes To Adapting An Existing Story, We Must First1409 Words   |  6 Pagesprevalent in both Molora, Antigona Furiosa and the Odyssey. Antigone wanted to do what was morally right for her brother though the law forbids it. She had to fight through her emotions and stand up for what she believed. Just as in Molora, both Elektra and Orestes had to overcome their emotions and realize that vengeance was not the way. Odysseus cannot make it home and finds himself in situation after situation just as Elektra and Antigone does. The â€Å"h ero† in each of these stories is brought to misfortuneRead MoreSummary Of The Brien S. Brien s Antigone Essay2182 Words   |  9 Pagespeace in an unacceptable trade, and Paulin vehemently counters O Brien s arguments. He adopts, as his own, Hegel s view of Antigone, a view in which neither the right of family, nor that of the state is denied; what is denied is the absoluteness of the claim of each, and Paulin continues his attack by applying O Brien s logic to Irish grounds, noting that Here Antigone (i.e. Bernadette Devlin and the Civil Rights movement) becomes responsible for all those funerals . This means that the UnionistRead MoreAntigone : A Portrait Of Ancient Greece2905 Words   |  12 PagesKelly Devlin Dr. Anna Peak IH 0951-002 10 December 2014 Antigone, a Portrait of Ancient Greece Famous for its production of tragedies, Ancient Greece often employed the use of drama and conflict to illustrate tales relevant to the society at the time. The playwright Sophocles is a prime example of this. In his tragedy Antigone, Sophocles tackles issues such as the role of the gods, the proper behavior of women, and the power of a leader. These motifs not only add value to the narrative, but offerRead MoreThe Major Events Of The 20Th Century Were Characterized1612 Words   |  7 Pagesthe world. During this time in history, communism took root in many states where people took control of the economies in order to establish a communist society that was based on a social economic order that was structured upon common ownership of the means of production and elimination of social classes, money and the state (Kelz, 2016). This study examines the devastating experiences of wars, and totalitarianism of the 20thn century which include World War 1, the Russian revolution and communis mRead MoreHistory of Theatre Lesson Notes Essay5401 Words   |  22 PagesExplain the most significant theories of the origins of theatre: most widely known theory is championed by anthropologists in the late 19th and early 20th centuries that envisions theatre as emerging out of myth and ritual (society becomes aware of forces that appear to influence or control its food supply and well-being, connection between actions performed by group and results it desires leads to repeat/refine/formalizing those actions into rituals, stories/myths grow up around a ritual, performersRead MoreA Doll House by Henrik Ibsen7379 Words   |  30 Pagesassociated her destiny†. This issue of gender roles in the society propelled to the production of Henrik Ibsen’s A Doll House—a controversial play of a woman who disregards conventional norms of the society. It displays how lies and deceptions could destroy relationships and the need of every individual to possess self-identity. The evident dramatization of a woman struggling to step beyond the limited identity imposed by her husband and society spawned to various arguments as to the true purpose of

The Great Gatsby By F. Scott Fitzgerald - 1513 Words

The author of the novel The Great Gatsby, is F. Scott Fitzgerald. He is an American novelist and short story writer who was born in Minnesota, USA on September 24, 1896 and died on December 21, 1940. In The Great Gatsby, F. Scott Fitzgerald illustrates how the pursuit of the American Dream ultimately leads to the downfall of those who pursue it. Nick Carraway leaves the mid-west to pursue a career in New York and as a result of interactions with corrupt characters, he sees the darker side of the American Dream which leads him to avoid relationships in the future. Daisy Buchanan’s dream is to be affluent and have a high status which leads her to reject the love of her life and settle with Tom to maintain the facade of the American Dream.†¦show more content†¦Nick is hopeful that a new future will provide with the dream life and relationships. By leaving his old life behind him it gives him the opportunity to become a bigger and smarter character. He is already educated, but now he will know more than the future characters that he meets. As Nick settles into his life he meets Gatsby who lures him into darker relationships such as Meyer Wolfshine and a romantic relat ionship with Jordan Baker: â€Å"Dishonesty in a women is a thing you never blame deeply, I was casually sorry, and then I forgot† (58). Nick starts the novel by stating that he is honest, â€Å"reserves judgement†, and is a reliable narrator as these relationships progress he loses his morals which leads Nick into consequences by trusting characters throughout the novel which in the future he loses. Nick follows Gatsby too closely and helps him out to an extent where his relationships also get hurt. Nick also places less emphasis on the values that he started with causing him to jump into situations which are not beneficial as he sees what those around him do to achieve the American Dream. As Nick loses hope in the goodness of humanity, he distances himself from all relationships in the future: â€Å"[it was the] foul dust [that] floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short winded elations of men† ( 2). In Nick’s flashback he forebodes his loss of hope and the

Haptic Technology Free Essays

1. 1 What is *Haptics*? Haptics refers to sensing and manipulation through touch. The word comes from the Greek ‘haptesthai’, meaning ‘to touch’. We will write a custom essay sample on Haptic Technology or any similar topic only for you Order Now The history of the haptic interface dates back to the 1950s, when a master-slave system was proposed by Goertz (1952). Haptic interfaces were established out of the field of tele- operation, which was then employed in the remote manipulation of radioactive materials. The ultimate goal of the tele-operation system was â€Å"transparency†. That is, an user interacting with the master device in a master-slave pair should not be able to distinguish between using the master controller and manipulating the actual tool itself. Early haptic interface systems were therefore developed purely for telerobotic applications. {draw:frame} {draw:frame} Fig. 2. 1Basic architecture for a virtual reality application incorporating visual, auditory, and haptic feedback. †¢ Simulation engine: †¢ Visual, auditory, and haptic rendering algorithms: Compute the virtual environment’s graphic, sound, and force responses toward the user. Transducers: Convert visual, audio, and force signals from the computer into a form the operator can perceive. The human operator typically holds or wears the haptic interface device and perceives audiovisual feedback from audio (computer speakers, headphones, and so on) and visual displays (a computer screen or head-mounted display, for example). 2. 2 System architecture for *haptic* rendering: {draw:rect} {draw:rect} {draw:rect} {draw:frame} {draw:frame} Fig 2. 2Haptic rendering divided into main three blocks S- contacts* occurring between an avatar at position X and objects in the virtual environment. Fd- *return* the ideal interaction force between avatar and virtual objects. Fr- Force to the user 1. Collision-detection algorithms detect collisions between objects and avatars in the virtual environment and yield information about where, when, and ideally to what extent collisions (penetrations, indentations, contact area, and so on) have occurred. 2. Force-response algorithms compute the interaction force between avatars and virtual objects when a collision is detected. This force approximates as closely as possible the contact forces that would normally arise during contact between real objects. Hardware limitations prevent haptic devices from applying the exact force computed by the force-response algorithms to the user. 3. Control algorithms command the haptic device in such a way that minimizes the error between ideal and applicable forces. The discrete-time nature of the haptic- rendering algorithms often makes this difficult. The force response algorithms’ return values are the actual force and torque vectors that will be commanded to the haptic device. Existing haptic rendering techniques are currently based upon two main principles: â€Å"point-interaction† or â€Å"ray-based†. In point interactions, a single point, usually the distal point of a probe, thimble or stylus employed for direct interaction with the user, is employed in the simulation of collisions. The point penetrates the virtual objects, and the depth of indentation is calculated between the current point and a point on the surface of the object. Forces are then generated according to physical models, such as spring stiffness or a spring-damper model. In ray-based rendering, the user interface mechanism, for example, a probe, is modeled in the virtual environment as a finite ray. Orientation is thus taken into account, and collisions are determined between the simulated probe and virtual objects. Collision detection algorithms return the intersection point between the ray and the surface of the simulated object. *2. 2. 1 Computing contact-response forces*: Humans perceive contact with real objects through sensors (mechanoreceptors) located in their skin, joints, tendons, and muscles. We make a simple distinction between the information these two types of sensors can acquire. 1. Tactile information refers to the information acquired through sensors in the skin with particular reference to the spatial distribution of pressure, or more generally, tractions, across the contact area. To handle flexible materials like fabric and paper, we sense the pressure variation across the fingertip. Tactile sensing is also the basis of complex perceptual tasks like medical palpation, where physicians locate hidden anatomical structures and evaluate tissue properties using their hands. 2. Kinesthetic information refers to the information acquired through the sensors in the joints. Interaction forces are normally perceived through a combination of these two. To provide a haptic simulation experience, systems are designed to recreate the contact forces a user would perceive when touching a real object. There are two types of forces: . Forces due to object geometry. 2. Forces due to object surface properties, such as texture and friction. The first type of force-rendering algorithms aspires to recreate the force interaction a user would feel when touching a frictionless and textureless object. Force-rendering algorithms are also grouped by the number of Degrees-of-freedom (DOF) necessary to describe the interaction force being rendered. 2. 2. 3 Surface property-dependent force-rende ring algorithms: All real surfaces contain tiny irregularities or indentations. Higher accuracy, however, sacrifices speed, a critical factor in real-time applications. Any choice of modeling technique must consider this tradeoff. Keeping this trade-off in mind, researchers have developed more accurate haptic-rendering algorithms for friction. In computer graphics, texture mapping adds realism to computer-generated scenes by projecting a bitmap image onto surfaces being rendered. The same can be done haptically. 2. 3 Controlling forces delivered through *haptic* interfaces: Once such forces have been computed, they must be applied to the user. Limitations of haptic device technology, however, have sometimes made applying the force’s exact value as computed by force-rendering algorithms impossible. They are as follows: †¢ Haptic interfaces can only exert forces with limited magnitude and not equally well in all directions †¢ Haptic devices aren’t ideal force transducers. An ideal haptic device would render zero impedance when simulating movement in free space, and any finite impedance when simulating contact with an object featuring such impedance characteristics. The friction, inertia, and backlash present in most haptic devices prevent them from meeting this ideal. †¢ A third issue is that haptic-rendering algorithms operate in discrete time whereas users operate in continuous time. {draw:frame} ?Finally, haptic device position sensors have finite resolution. Consequently, attempting to determine where and when contact occurs always results in a quantization error. It can create stability problems. All of these issues can limit a haptic application’s realism. High servo rates (or low servo rate periods) are a key issue for stable haptic interaction. There are two main types of haptic devices: †¢ Devices that allow users to touch and manipulate 3-dimentional virtual objects. †¢ Devices that allow users to â€Å"feel† textures of 2-dementional objects. 3. 1 LOGITECH WINGMAN FORCE FEEDBACK MOUSE {draw:frame} fig. 3. 1 logitech mouse Fig. 3. 1 shows a Logitech mouse which is attached to a base that replaces the mouse mat and contains the motors used to provide forces back to the user. {draw:frame} Fig. 3. 2 Phantom Used in surgical simulations and remote operation of robotics in hazardous environments {draw:frame} Fig3. 3 Cyber Glove Cyber Glove can sense the position and movement of the fingers and wrist. {draw:g} The basic Cyber Glove system includes one CyberGlove, its instrumentation unit, serial cable to connect to your host computer, and an executable version of VirtualHand graphic hand model display and calibration software. The firm introduced haptic technology for the X-by-Wire system and was showcased at the Alps Show 2005 in Tokyo. The system consisted of a â€Å"cockpit† with steering, a gearshift lever and pedals that embed haptic technology, and a remote-control car. Visitors could control a remote control car by operating the steering, gearshift lever and pedals in the cockpit seeing the screen in front of the cockpit, which is projected via a camera equipped on the remote control car. With many new haptic devices being sold to industrial companies, haptics will soon be a part of a person’s normal computer interaction. REFERENCES: http://www. sensable. com/products/datafiles/phantom_ghost/Salisbury_Haptics95. pdf http://www. wam. umd. edu/~prmartin/3degrees/HAPTIC%20TECHNOLOGY1. doc http://www. sensable. com http://www. logitech. com http://www. technologyreview. com How to cite Haptic Technology, Essay examples

Lefebvres View of the Work-Leisure Relationship- myassignmenthelp

Question: Discuss about theLefebvres View of the Work-Leisure Relationship. Answer: The movie Revolutionary Road as developed has significantly evolved to highlight the various valleys and mountains that the todays life is all about. At the start of the movie, a married couple whose life is ahead of them is introduced, and they are required to decide on critical matters. Lefebvre proposed that leisure time is the time spent away from work. The most important question is whether there exists any considerable relationship between leisure and work. The present work seeks to investigate whether such relationships do exist and what forms an obstacle towards reaching the most regarded life status. Therefore, one can agree with Lefebvre statement that We work to earn our leisure, and leisure has only one meaning: to get away from work. A vicious circle. The statement We work to earn our leisure, and leisure has only one meaning: to get away from work. A vicious circle true as brought out in the movie. The two seem to be blinded by love and have so much to ponder and achieve in their newly formed relationship. It is evident that the couples are driven by some hunger for something not understanding their middle age life. The couple wished to fulfill their fantasies little did they know their love was driven by yearnings. Lefebvre particular considers an individuals life is a totality of what happens throughout time. Though much is anticipated, one can start to think or imagine that, the couple seem to be losing track and ought to meet what they have been preparing for all their life. In the introduction, it can be noted that Frank secures an executive job where he works as a salesperson but April (a housewife and jobless) views her husbands job as meaningless - and working as an office machine. She jokes by saying that her husband may later become one of the office machines if he is not one. The question that arises is whether April and her husband are confused or dont know how to handle rhetorical life situations that fall into place without knocking. Through analysis of the key parts of the movie, the paper seeks to provide an answer or simply an explanation of their present actions (Ploger and Lefebvre 65). Lefebvre proposed that leisure is free time spend away from the business, education, domestic chores, and other activities. He points out that leisure and work are inseparable and life of any person is subject to the division of labor and in the social perception, this is reflected in leisure activities. everyday evidence always evidences the potential for transformation. He perceived every day as a critical totality of social life. His final work persuades the theme of everyday life by approaching it as a time-space that could be open to rhythm analysis (Lefebvre, 65). With diverse life dimensions, it is important not to consider ones life as one junk of a thing. The movie depicts April as one who is after personal interests and has fewer considerations into their current life with two kids and responsibilities to meet. Hence, a clear indication that the statement we work to earn our leisure, and leisure has only one meaning: to get away from work. A vicious circle is true. The essay is interested in investigating the relation between leisure and work as portrayed in the movie Revolutionary Road and also as depicted in Lefebvre essays. Kate Winslet, a mother of two, suggests to her husband to quit job not bearing in mind they now have responsibilities to meet as parents. The recklessness of the couple is shown by the fact that they both got together through pregnancy and seemed to take their children as a car that you cant think of if you are not driving it. Lefebvre rhythm analysis implies that the newlywed has their life happening in cyclically. This states by Lefebvre we work to earn our leisure, and leisure has only one meaning: to get away from work. A vicious circle credibility and validity ("Revolutionary Road (2008) Movie - Leonardo Dicaprio, Kate Winslet, Christopher Fitzgerald" 19:25). A rhetorical question that would arise is where the two are headed? One can see by the look of things; the two are headed to life dilemma. The movie reveals by coincidence that, the time Frank secures job promotion and a pay rise is the same time April is persistent about their move to Paris. As put forward by Lefebvre, the couple fails to confront the twists that seem to befall them and are headed to a big loss. It is frustrating for their son to come from a mental hospital just to meet the ugly insights at the Wheelers (McGuire, Vio and O'leary 251-257) (Zuzanek and Mannell 31-57). Dicaprio and Winslet predicted the romance heading in Titanic this simply implies just like the most regard ship did perish, the lives of the couple seem to be headed the same direction. At one point the movie portrays the couple with their children as living in Connecticut suburbs and being viewed as role models in the region, however, this seems to take a different direction due to Aprils selfishness. The couple seems to be in love with the world of entertainment and is moved by the photo of Beatnik listening to a record of modern jazz that was said to be cool. They seem to value leisure more than the ideal life and are too extravagant on luxuries (Townsend 442-456). April is portrayed as a villain. She thinks her man is busy doing a useless job which she related that of his father. The movie portrays our daily lives as composed of rhythms, and understanding this, is an inherent factor of everyday life. The rhythm is circular and inevitable on the road of ones revolution (Zuzanek and Mannell 31-57). At some point, Frank is brought out as having a love affair with a secretary (workmate). The theme of betrayal is well depicted when he spends a night with his workmate. This demonstrates immorality and bad use of leisure time. He does seem to understand himself and also betrays his wife April. Several immoral practices are therefore witnessed as both partners indulge in dancing and drinking in the cities. In the movie, Frank spends a night away from home without a substantial reason. Some session of the movie presents a series of emotionally laden memories and textual echoes that render the film cyclical (Lefebvre 65). The revolutionary road is a cyc lical narrative, a recapitulation of events that allow change of in an emotional perspective. Like any other man of the times (the 1950s), Frank fails tragically in reaching out his dream life being a man of substance, different from his father who worked in the same organization but led a miserable life (Revolutionary Road (2008) 44:05). Lefebvre brings out leisure as one term that can be understood by not only considering the free alternative of work but as broader relations. He points out that some practices that individuals assume may not be distinctively taken as leisure. Individuals and personalities can improve their productivity by getting involved in leisure activities (Aitchison 20). Productive labor is matched with the rhythm of life people look for active leisure activities while leisure machines like television sets and radios promote passive leisure (Shaw 271-286). The question that comes in here is whether Leisure is important to ones life. The likely answer to this question could be relaxation, entertainment, and pleasure. Leisure should not be spent in immoral behaviors. Thus, sexual practices, criminal actions, and other social vices should not be part of leisure activities (Choi and Yoo 140-155). The statement we work to earn our leisure, and leisure has only one meaning: to get away from work. A v icious circle as depicted by Lefebvre is true. In a nutshell, the Revolutionary Road movie leaves the audience in a situation that compels an individual to reflect on present-day life. Every day is represented by a variety of issues that couples need to absorb and have the right mentality towards handling these issues that led to disastrous life for the couple. It should be noted that falling for ferocious fights, and conflict is bound to happen. In Revolutionary Road movie, this seemed to be the case for Frank and April since both have failed to establish their passions and missions in their lives. Since life is quite unpredictable, and no one knows what tomorrow has in store for us, then it can be recommended that balance between leisure and work is quite paramount (Highmore 40-0216-40-0216). One can agree with Lefebvre statement that We work to earn our leisure, and leisure has only one meaning: to get away from work. A vicious circle. Works cited Aitchison, Cara. "Young Disabled People, Leisure and Everyday Life: Reviewing Conventional Definitions for Leisure Studies." Annals of Leisure Research 3.1 (2000): 1-20. Web. Arnold, Peter. "On The Relationship Between Education, Work and Leisure: Past, Present and Future." British Journal of Educational Studies 37.2 (1989): 136-146. Web. Choi, Suh-hee, and Ye-ji Yoo. "Leisure Attitude and Satisfaction with Leisure and Life: Proposing Leisure Prioritization and Justification." World Leisure Journal 59.2 (2016): 140-155. Web. Highmore, Ben. "Everyday Life and Cultural Theory: An Introduction." Choice Reviews Online 40.01 (2002): 40-0216-40-0216. Web. Janke, Megan C. et al. "The Role of Life Experiences On Perceptions of Leisure During Adulthood: A Longitudinal Analysis." Leisure Sciences 33.1 (2010): 52-69. Web. Kiely, E. "Young People, Risk and Leisure, Constructing Identities in Everyday Life." Community Development Journal 41.1 (2005): 116-119. Web. "Revolutionary Road (2008) Movie - Leonardo Dicaprio, Kate Winslet, Christopher Fitzgerald."YouTube. N.p., 2017. Web. 8 Oct. 2017. McGuire, Francis A., F. Dominic Dotta Vio, and Joseph T. O'leary. "The Relationship of Early Life Experiences to Later Life Leisure Involvement." Leisure Sciences 9.4 (1987): 251-257. Web. Ploger, John, and Henri Lefebvre. "Critique of Everyday Life." Geografiska Annaler. Series B, Human Geography 77.1 (1995): 65. Web. Shaw, Susan M. "Dereifying Family Leisure: An Examination of Women's and Men's Everyday Experiences and Perceptions of Family Time." Leisure Sciences 14.4 (1992): 271-286. Web. Townsend, Keith. "Leisure at Work, Who Can Resist? An Investigation into Workplace Resistance by Leisure Service Employees." Journal of Industrial Relations 45.4 (2003): 442-456. Web. Wei, Xiang et al. "Leisure Time, Leisure Activities, And Happiness in China: Evidence from A National Survey." Journal of Leisure Research 47.5 (2015): n. pag. Web. Zuzanek, Jiri, and Roger Mannell. "Leisure Behaviour and Experiences as Part of Everyday Life: The Weekly Rhythm." Loisir et Socit / Society and Leisure 16.1 (1993): 31-57. Web.